The pavilion was larger inside than it had seemed from across the water.
The walls were covered in art — layers upon layers, tags over tags, murals over older murals. Some faded nearly to nothing. Others looked recent, the paint still carrying a faint sheen.
Fluffy moved through the corridors slowly, reading the walls the way you’d read a city.
Then he stopped.
One piece stood apart from the rest. Not because it was louder — it was quieter, actually. A single figure, rendered with unusual care: a form with circuit-light paws and a luminous face where a muzzle should have been, painted mid-stride as if walking toward something just out of frame. Beneath it, in small deliberate strokes: a set of coordinates.
His tail slowed.
Something about the line quality. The way the figure held itself. The particular patience in the brushwork.
He couldn’t name it — not yet. But he stood there longer than he needed to.
The coordinates pointed north.
Author’s note: Use submit <lat> <lon> to submit the coordinates.
The coordinates led north — to a campus of old brick buildings, quiet courtyards, and walls that had been painted over so many times they’d grown thick with it.
Fluffy found the second mark on a wall between two trees, half-hidden by an overgrown hedge.
The same figure. Circuit-light paws. Luminous face. This time painted full-stride, moving through the wall as though the wall wasn’t there. A small speech bubble floated above: ”beep boop.”
More coordinates beneath it.
Fluffy stood very still.
He knew exactly one protogen who painted like this. The particular way the light was rendered around the paws. The posture — always moving, always forward, never looking back. The sense that the figure knew someone was going to find this and was leaving it on purpose.
Pip.
He almost said it out loud.
“You could have just called,” he said instead, to the empty courtyard.
No answer. Just the coordinates — and below them, smaller, in the same careful hand: a name. Not a place. A repository.
Author’s note: Use submit <lat> <lon> to submit the coordinates.
The name Pip had left beside the coordinates led him to a repository he hadn’t thought about in years.
His own. A diary, from back when he was barely out of his kit years. Day 1. Day 2. Day 3. The history looked clean — three commits, neat and sequential, nothing out of place.
Except he remembered writing more than this.
He sat with it. Something in the log felt too tidy. Too final. Like a room that had been straightened before a guest arrived.
The commit history wasn’t the whole story. It was the version someone had decided to leave visible.
Whatever had been there before was still out there — if he knew where to look.